THE NON-SUBMISSION OF WOMEN: HOW LITERARY CLASSICS REVEAL UNSEEN ACTS OF DEFIANCE
DOI:
https://doi.org/10.31435/ijitss.2(50).2026.5429Keywords:
Literature, Non-Submission, WomenAbstract
This article examines the subtle and often overlooked acts of defiance embodied by women in classic literature, focusing on the works of Kate Chopin, Emily Dickinson, and Margaret Atwood. Through an analysis of Chopin's The Awakening, Dickinson's poetry, and Atwood's The Handmaid's Tale, the article explores how these authors portray female characters who resist societal expectations, challenge gender norms, and assert their autonomy in the face of oppressive forces.
The study employs a qualitative, close-reading methodology to analyze three literary works: Kate Chopin’s The Awakening, selected poems by Emily Dickinson, and Margaret Atwood’s The Handmaid’s Tale. These texts were chosen for their rich depictions of female characters who either explicitly or implicitly challenge societal norms. The research focuses on identifying the literary techniques used by these authors—such as characterization, symbolism, and narrative structure—to convey the inner resistance of women in a society that seeks to constrain them. By examining both the overt and covert forms of rebellion in these texts, this analysis will highlight how each author presents women’s resistance not as a singular event but as an ongoing, deeply personal struggle.
By highlighting the internal struggles and quiet rebellions of characters like Edna Pontellier, the unnamed narrator of Dickinson's poems, and Offred, the article argues that women’s acts of non-submission in literature are often expressed not through overt rebellion, but through subtle defiance, inner resilience, and the refusal to accept traditional roles. These characters, while sometimes constrained by their circumstances, represent the broader theme of women’s power to shape their destinies, offering a legacy of resistance that transcends the boundaries of time and place.
In addition to analyzing the characters and themes, the article delves into the literary techniques these authors use to convey women’s struggles—such as silence, isolation, and introspection—as forms of resistance. Ultimately, the article reimagines the legacy of these literary works, asserting that the true strength of women in classic literature lies in their ability to challenge societal expectations through acts of non-conformity, both seen and unseen.
References
Chopin, K. (1899, July). Chopin’s statement on The Awakening. Book News.
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Goldblatt, P. F. (1999). Reconstructing Margaret Atwood’s protagonists. World Literature Today, 73(2).
Gray, J. B. (2004). The escape of the “sea”: Ideology and The Awakening. Southern Literary Journal, 37(1), 53–73.
Harris, S. (1990). 19th-century American women’s novel: Interpretative strategies.
Lyons, B. (1978). “Neither victims nor executioners” in Margaret Atwood’s fiction. World Literature Written in English.
Walker, N. (1994). Feminist or naturalist. In M. Culley (Ed.), Kate Chopin: The Awakening. W. W. Norton.
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Copyright (c) 2026 Meri Makharadze, Natia Katamadze, Lali Tavadze, Ivdit Diasamidze

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